Light Interactive Kinetic Sound Sculptures

Electro-Magnetic Impulse Devices

3D Printed Sound Amplification Horn Devices

TECHNOLOGICAL ARTIFACTS

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Artist Statement

Sound And Technology Art:

We are living inside an acceleration. Technology no longer merely assists perception—it reshapes it. It does not sit between humanity and nature; it constructs a parallel terrain through which we now move, sense, and understand. My work inhabits the charged threshold between these terrains, searching for moments of tension, reconciliation, and wonder between organic systems, human presence, and the proliferating world of the device.

I have come to see technology not simply as a tool, but as a living landscape—dense, evolving, and ecologically complex. In The Evolution of Technology, George Basalla proposes that the growth of invention can be approximated by counting patents. In the United States alone, more than 4.7 million patents have been issued since 1790. If we imagine each patent as analogous to a biological species, the technological realm surpasses the organic in diversity threefold. This is not a story of opposition to nature, but of parallel evolution. We have cultivated a second ecosystem—one of circuits, polymers, frequencies, and code—and it demands poetic and philosophical attention.

My practice explores this unfolding dialogue. In my MFA thesis, Regression, Progression, and Skewed Material Culture through Sculpture, I investigated electronic artifacts ranging from early twentieth-century radio speakers to contemporary disposable plastics. Through sound- and motion-based installations, I destabilize the familiarity of these objects, revealing hidden behaviors and unexpected lyricism. A cup becomes a resonating chamber. A motor becomes a pulse. A discarded device becomes a fossil of human longing.

Working at the intersection of sculpture, engineering, music, and science, I design solar-powered systems, custom electronic circuits, and electromagnetic mechanisms. I build instruments that hover between utility and ritual. Everyday materials become collaborators—participants in a choreography of vibration, light, oscillation, and time.

My fascination with mechanized motion began early. The cyclical precision of gears, the breath-like swing of a pendulum, and humanity’s enduring pursuit of the perpetual have profoundly shaped my thinking. Horology and esoteric mechanisms continue to inform my installations both structurally and metaphorically. I am drawn to systems that measure, regulate, and attempt to defy time—devices that echo our desire for continuity within impermanence.

Ultimately, my work asks: if technology is our parallel nature, how do we listen to it? How do we inhabit it responsibly, poetically, and consciously? Through sculpture and sound, I attempt to make that landscape visible—and audible—again.